From Ramayana Part 1 and Alpha to King and Toxic, here's why the next six months could be one of Indian cinema's most exciting line-ups in years.
From Mollywood Times to Mohiniyattam, these black comedies from South Cinema prove that the darkest humour can also deliver the sharpest entertainment.
Satluj is a chilling reminder of what happens when a state is allowed to become judge, jury and executioner, asserts Sreeju Sudhakaran.
Nagabandham promises a fantasy treasure hunt adventure but ultimately devolves into a senselessly violent and shallow revenge saga.
Despite its uneven storytelling, Super Subbu deserves applause for turning India's discomfort with sex education into an entertaining, often insightful satire, notes Sreeju Sudhakaran.
Minions & Monsters entertains with its cinematic nostalgia baits, even if it never quite escapes the franchise's familiar storytelling flaws.
As Curry Barker's Obsession arrives on OTT this week, Sreeju Sudhakaran revisits the chilling psychological horror film about the terrifying implications of a man's desire to control a woman's affections.
As a film, Maa Inti Bangaram frustrates; as a milestone for Telugu cinema's female-led stories, it deserves to be celebrated.
Akshay Kumar runs away with Welcome To The Jungle, but a few unexpected scene-stealers ensure he isn't having all the fun.
Not only is Samay Raina going the Kapil Sharma route by bringing celebrities as special guests on his show -- which also means he has to be careful that his jokes don't land them in trouble as well -- but he also has to promote sponsors blatantly, observes Sreeju Sudhakaran.
From blink-and-miss song appearances to scene-stealing guest roles, Hrithik Roshan has turned even cameos into memorable moments.
Despite its intriguing premise, Uyir never quite cracks the mystery, relying instead on emotional drama to deliver its final blow.
Con City has a fun premise and a handful of clever scams, but its biggest con is convincing you it's smarter than it really is.
From Peranbu to Bramayugam, Padma Bhushan winner Mammootty's recent filmography is proof that legends can keep reinventing themselves, even post 70.
Indrans' standout performance deserves a sharper screenplay than this over-edited, all-too-familiar revenge saga, rues Sreeju Sudhakaran.
Gram Chikitsalay Season 2 returns with a confirmed connection to Panchayat universe and a more heartwarming narrative, observes Sreeju Sudhakaran.
Long before Alpha, Bollywood had been retelling the Ramayana in modern settings, sometimes subtly and sometimes not so subtly.
Before Welcome to the Jungle, here's a look at the movies where Akshay Kumar tried to entertain us in double roles.
A riveting mother-son drama with a superb first half, Balan: The Boy loses some of its grip after an ambitious but uneven turn, notes Sreeju Sudhakaran.
The Furious's jaw-dropping action scenes are so ferocious and inventive that they leave you gasping for breath, commends Sreeju Sudhakaran.
